THE TYPEWRITER IS BUSY MAKING ART
By: Mauricio Cordero, Peter Black, and Andrew McGregor
This piece bridges the gap between the nostalgic and the cutting-edge by juxtaposing a vintage word processor-itself a symbol of digital and analog ingenuity and creativity at its time-with a popular large language model, ChatGPT. The artwork explores the dynamic collaboration between old and new, prompting the LLM to generate an image of a pigeon that could be rendered through the mechanical precision of the typewriter.
After many iterations of chaotic and unrecognizable forms, a minimalist yet evocative representation of a pigeon emerged-the parsimonious pigeon. The process was orchestrated using a Raspberry Pi, seamlessly integrating modern technology with the almost-forgotten relic of the typewriter to produce a tangible artifact of digital creativity.
The Parsimonious Pigeon invites viewers to reflect on the evolving nature of communication, creativity, and the interplay between human ingenuity and machine precision.
The Story
In December 2016, Netflix released a TV series following in the footsteps of MythBusters. The new series was called “White Rabbit Project”. Episode 6 focused on “Crazy WW2 weapons”. Of the six “crazy” ideas of novel weaponry to defeat the axis of evil, one was the brainchild of notable behavioral psychologist B.F. Skinner. He referred to it as Project Pigeon, and with it he tried to train pigeons to guide a missile dropped from an airplane to contact and destroy enemy ships in the Pacific Arena. His project was a success in that pigeons learned to steer a simulated missile to enemy ships viewed through a small window. They did so by pecking at the image of the ship in front of them, and the pecks controlled steering flaps on the missile so that it stayed on course directly to the ship.
Luckily for the pigeons, they were never deployed on these suicide missions. By the time the project was ready, other teams had finally figured out how to implement self-navigation instrumentation. Many pigeon lives were, ahem, saved.
Back to the Netflix show. The producers wanted to do a conceptual reenactment of Skinners’ Project Pigeon. They called on the Blaisdell lab to help. We trained 3 pigeons to peck at a red-and-white concentric circle target on the touchscreens in our lab. It only took a couple of weeks to train these birds to reliably peck at the target whenever it appeared on the screen. We varied the location and size of the target so that they would generalize their pecking behavior during filming.
On the day of filming, we drove the pigeons to the studio in Down Town LA where the reenactment was to be recorded. The studio consisted of a huge room, like a giant empty warehouse, with a real target hung on the wall at the far end. At the other end there was a drone with a camera mounted under it. The feed from the camera was relayed to a touchscreen in a clear operant box set up behind a partition. The pigeon pilots were ready! They were placed, one at a time, in the pilot seat (operant box) where they came face to face with the display showing the camera feed from the drone. In the display, they oriented toward the tiny image of the target at the far end of the studio. Each pigeon immediately began to peck at the target, thereby navigating the drone all the way to the other end of the studio where the drone finally contacted the target!
Although all three pigeons showed decent rates of pecking at the image of the target, Darwin was by far the star of the show – literally. She was the best pilot of all, and an image of her pecking at the target with host Kari Byron watching in excitement were used as promotional materials for the show.
